CREW
POSITION |
WHAT THEY DO |
WHAT THEY REALLY DO |
WHAT THEY WANT TO DO |
PRODUCER |
Organize the whole show. |
Sign checks & fire people . |
Direct. |
DIRECTOR |
The BIG One.
The HOLY One.
The Visionary. |
Stomp their feet and yell at actors. |
Collect residuals. |
ASST.
DIRECTOR |
Assist the Director with scheduling and organize the
shoot. |
Stomp their feet and yell at the crew. |
Direct. |
2nd ASST. DIRECTOR |
Assist the assistant Director. |
Baby-sit actors and annoy the crew. |
Be the 1st Asst. Director. |
2nd 2nd ASST. DIRECTOR |
Assist the asst. to the assistant Director |
Lock up. |
Be a parking PA |
DIRECTOR OF PHOTOGRAPHY |
Supremo of Lighting & Photography |
Ignore Gaffer & glare at the Dolly Grip |
Give an interview to American Cinematographer |
CAMERA OPERATOR |
Operate the camera under auspice of the DP. |
Eat Donuts & glare at the Dolly Grip. |
Be a real DP. |
ASST. CAMERA |
Pull focus, load & care for the camera. |
Try to get the crew's respect by inflating self-importance. |
Shoot. |
2nd ASST. CAMERA |
Load Mags. |
Hang out in the bag. |
Pull focus. |
STEADICAM |
Operate the Steadicam. |
Drop names & glare at the Dolly Grip. |
Be a real DP. |
SCRIPT SUPERVISOR |
Note script/shot/scene information for editing. |
Sit where the fill light is going to be. |
Write screenplays & Direct. |
ART DIRECTOR |
In charge of making the set look like the Director's
vision. |
Mope around wishing for a bigger budget. |
Direct. |
PROP MASTER |
In charge of the props and artsy gags on the set. |
Drink coffee, eat cheese, & apply double-sticktape. |
Be an Art Director. |
CARPENTER |
Build sets & do woodwork. |
Make sawdust & take coffeebreaks. |
Star in own home improvement show. |
SCENIC ARTIST |
Paint sets & backdrops. |
Borrow grip ladders & gossip with Set Dressers. |
Be an art star in Soho. |
GAFFER |
Head Electrician |
Schmooze with the DP & make lots of phone calls. |
Sit on the dolly & shoot. |
BEST BOY |
Gaffer's right-hand man. |
Cut gels & check
tie-in. |
Be the Gaffer & make phone calls. |
3rd ELECTRIC |
Set lights. Run cable. |
Replace blown fuses & curse coffee machines &hair
dryers. |
Play with C-Stands. |
GENIE
OPERATOR |
Monitor frequency & voltage of generator. |
Eat donuts & yakyakyak. |
Write screenplays. |
KEY GRIP |
In charge of set safety, rigging & cutting light. |
Make phone calls. |
Be home sleeping. |
BEST BOY GRIP |
The Key's right-hand man. |
Check out craft service for Key's favorite food. |
Be home sleeping. |
DOLLY GRIP |
Perform dolly moves. |
Try to stay awake. |
Be in the field rigging with the other grips. |
3rdGRIP |
Staging & supplying equipment on the set. |
Hump sandbags, make beaverboards. |
Be the King Grip & take more naps |
SOUND MIXER |
In charge of recording sound. |
Hang out where the key light is going to be. |
Tell the whole world to shut the @#&$ up! |
BOOM
OPERATOR |
Place mic via boom pole in optimal position. |
Knock over grip stands and make shadows. |
Finish reading the Times |
MAKE UP ARTIST |
Make Talent Beautiful. |
Gossip with Wardrobe. |
Madonna's nails |
HAIR STYLIST |
Make hair big & beautiful. |
Gossip with Make Up |
Madonna's hair |
STYLIST |
In charge of Talent's wardrobe. |
Look at fashion mags & gossip with Make Up |
Madonna's clothes |
PRODUCTION ASSISTANT |
A little bit of everything for everyone. |
Ask what a cube tap is, and buy unripe fruit. |
Direct & write. |
INTERN
/ TRAINEE |
A student learning the biz. |
Stand around & look confused. |
Be a PA |